Divine Discontent

Against the normative view of W. E. B. Du Bois as hostile to and uninterested in religion, this book argues that religion furnishes Du Bois writings with their distinctive moral vocabulary. Du Bois's work is a rich world of sermonic essays, jeremiads, biblical rhetoric, and prayers all of which are devoted to the overarching goal of fighting for the spiritual, political, and social conditions of those who “live within the Veil.” This book argues that Du Bois fashions his religious voice from two sources: African American religion and American pragmatism. Du Bois's religious voice draws on the natural piety of the slave spirituals, the protestations of the African American jeremiad, the language of sacrifice, and the preacher's facility with biblical rhetoric. From the American pragmatists, Du Bois finds a heterodox religious register that shuns metaphysical and supernatural realities for an earthly form of salvation rooted in human relations. By using pragmatist tools to embrace African American religious resources without their normative metaphysical commitments, Du Bois creates a new black faith: a radical version of pragmatic religious naturalism. This account of Du Bois's religious voice frees us from shoehorning Du Bois into ready-made Christian constructions; his religious heterodoxy runs too deep and throughout his life he chafed against the label, “Christian.” It allows us to imagine Du Bois as practicing what might be understood as an original black American faith—one that pays homage to African American Christian pasts, but radically reconfigures them for a democratic and ecumenical future.

--Abstract of Jonathon S. Kahn's Divine Discontent.